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Opera
HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"
edward.maurath
0:16 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Harpsichord Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Violoncello Bass 5 0 1 2 100%
Flute Treble 7 0 0 3 75%
 
HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)
edward.maurath
0:33 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
Cembalo (Continuo) Treble 10 13 2 4 92%
Bass 10 6 1 5 92%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
HWV8A0N17 - Dai, quando vuoi, recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
Bass 3 0 1 1 67%
Harpsichord Treble 10 3 3 2 67%
Bass 2 0 0 1 33%
Apollo 5 0 1 3 67%
Erato 4 0 0 3 67%
 
HWV1N17vEJM - "Nein, Osman muß, was er versprochen"
edward.maurath
0:17 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Harpsichord Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Organo Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Consalvo Bass 12 0 2 4 100%
Continuo Bass 6 0 2 2 100%
 
HWV5A1N2 "petto col fulmine del cielo"
edward.maurath
0:06 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 10 10 2 2 88%
Bass 9 5 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 10 10 2 2 88%
Bass 9 5 1 4 100%
Violoncello (Continuo) Bass 7 0 1 2 100%
Florinda 7 0 1 5 67%
 
Richard Wagner - ENDE.zu.DIE MIESTERSINGER in Full score.
Jamie Holdham
0:21 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasses Bass 7 0 1 5 100%
Violas 8 1 1 5 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasses Bass 7 0 1 5 100%
Violas 8 1 1 5 100%
Violoncellos Bass 14 7 2 5 100%
Violins Treble 4 0 0 5 83%
Treble 4 0 0 5 83%
Bass Bass 8 0 1 5 83%
Trombone Bass 3 0 0 1 33%
Bass 5 3 0 4 67%
Bassoon Bass 1 0 0 2 50%
Horn
in
F		 Treble 2 1 0 2 33%
Treble 2 1 0 2 33%
C
Trumpet		 Treble 2 0 0 1 17%
 
Die Miestersinger Prelude to Act III - Richard Wagner.
Jamie Holdham
0:01 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncelle. Bass 15 0 3 6 84%
Bratsche. 11 0 3 5 58%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncelle. Bass 15 0 3 6 84%
Bratsche. 11 0 3 5 58%
2. Treble 8 0 2 4 32%
1 Violinen. Treble 7 0 1 4 26%
Fg.1 Bass 8 0 2 5 26%
Fg.2 Bass 9 0 2 7 26%
Hr.1
in
D.		 Treble 8 0 1 5 26%
Hr.2
in
D.		 Treble 5 0 0 3 26%
Hr.3
in
D.		 Treble 4 0 1 3 26%
Hr.4
in
D.		 Treble 6 0 1 4 21%
3
Pos.		 Bass 7 3 1 2 16%
2
Trp.
in
D.		 Treble 3 1 1 3 11%
B.T. Bass 2 0 0 2 11%
 
Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.
Jamie Holdham
0:57 Est. Play
Time
46 Measures
1,369Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VIOLINEN. Treble 26 0 10 8 100%
BRATSCHEN. 24 0 9 4 100%
View all 30 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
VIOLINEN. Treble 26 0 10 8 100%
BRATSCHEN. 24 0 9 4 100%
Contrabasse. Bass 25 0 11 8 100%
Violins Treble 23 0 9 8 100%
Violoncelle. Bass 27 0 12 8 100%
FAGOTTEN. Bass 28 8 9 8 90%
1.
BASS-TUBA. (in
B.)		 Bass 21 2 10 8 88%
CONTRABASS-TUBA. Bass 18 0 5 7 82%
BASS-CLARINETTE. (in
B.)		 Bass 23 0 7 7 75%
2
TENOR-TUBEN. (in
Es.)		 Treble 11 5 2 7 69%
Bassoon Bass 26 0 9 7 68%
3
POSAUNEN.		 Bass 21 5 7 7 63%
HORNER. Treble 18 0 8 9 53%
2.
BASS-TUBA.		 Bass 10 0 6 7 50%
PAUKEN.
(1.
PAAR.)		 Bass 2 0 0 4 43%
TROMPETEN. Treble 8 0 3 5 38%
HOBOEN. Treble 17 0 7 3 35%
CONTRABASS- POSAUNE. Bass 6 0 3 2 32%
BASS
TROMPETEN.		 Treble 8 0 2 6 29%
CLARINETTEN. Treble 17 0 8 4 25%
B♭
Clarinet		 Treble 16 0 7 3 21%
Englisch
Horn.		 Treble 13 0 6 4 21%
F
Trumpet		 Treble 6 0 3 6 21%
Oboe Treble 14 0 6 3 21%
Horn
in
F		 Treble 15 7 5 3 21%
GROSSE
FLOTEN.		 Treble 4 1 1 3 14%
Flute Treble 5 3 1 3 14%
Trombone Bass 10 0 3 6 14%
Kleinen
Floten.		 Treble 2 0 1 2 7%
PAUKEN.
(2.
PAAR.)		 Bass 1 0 0 1 7%
 
Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.
Jamie Holdham
0:12 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1. Clarinetten
in
A. 2.u.3.		 Treble 12 0 2 7 100%
1. Floten. 2.u.3. Treble 13 0 3 10 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1. Clarinetten
in
A. 2.u.3.		 Treble 12 0 2 7 100%
1. Floten. 2.u.3. Treble 13 0 3 10 100%
1. Hoboen. 2.u.3. Treble 9 0 1 3 100%
1.u.2. Horner
in
G. 3.u.4.		 Treble 12 9 4 5 100%
1.Violine. Treble 13 0 3 10 100%
2.Violine. Treble 14 0 3 9 100%
A
Clarinet		 Treble 14 11 3 6 100%
Bratsche. Treble 14 0 4 9 100%
Flute Treble 13 8 2 5 100%
Horn
in
G		 Treble 12 9 4 5 100%
Oboe Treble 14 12 3 6 100%
3
FAGOTTE.		 Bass 18 12 4 2 91%
Contrabass. Bass 12 0 1 2 86%
Violoncell. Bass 13 1 1 2 86%
3
Trompeten.		 Treble 11 6 2 4 67%
3
Posaunen.		 Bass 7 3 1 2 50%
BASS-TUBA. Bass 4 0 0 2 43%
Pauken
in
G
u.D.		 Bass 2 0 0 2 43%
 
Pro Rady minor
Ivo Románek
0:54 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavír Treble 10 3 3 6 100%
Bass 13 8 5 3 100%
Bas Bass 11 0 4 6 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavír Treble 10 3 3 6 100%
Bass 13 8 5 3 100%
Bas Bass 11 0 4 6 74%